What makes pop music

Instead of adding tons of elements to the chorus and making the arrangement too busy, try these tips to create dynamics through a verse and pre-chorus to give a chorus the perception of being MUCH bigger! Check out our other free and paid content! Thank you for being a subscriber! Austin will go into detail on every track and show you everything in this session! Visit our website! We have tons of free and paid content, including sample and preset packs, blog posts, courses, and more!

In this video, we will go over the template I use to get every production started! I will go over what's in my template, why my template is set up the way it is, and how I use a template to speed up my workflow and maximize my creativity on every project! If you would like this Cubase 11 Pro template for free, click the link below! In this video, Austin will show you how, when, and why you should be layering vocals in a pop song. Vocal arrangement can make or break a record, and it's important to know when to utilize certain tools and elements, what you're trying to achieve with these methods, and how to execute them in a session.

In some nations, radio stations paid royalties to the publishing companies and the record labels whenever a particular piece of pre-recorded music was broadcast. At any rate, the record companies would mass-produce recorded discs singles and albums and later cassettes, CDs or other kinds of media, and make them available for sale in local music stores in the areas where a particular radio station broadcast to the public.

This was carefully synchronized to marketing campaigns to get those certain pieces of music played on certain radio stations within a certain time frame, to enhance the potential for sales. It was all carefully organized with investments and business and marketing plans. To the degree that radio stations would specialize in playing a certain style of music that appealed to a certain narrow demographic of listeners, the record labels and publishing companies would oblige by deliberately seeking out and financing musicians who could create music tailored to the desires of those specific radio stations.

Thus the various sub-genres of pop music, everywhere in the world, were created in a kind of feedback loop between broadcast radio and the record labels. Styles and genres of pop music always changed and evolved, but always in response to the market pressures of selling recordings and making money. This still goes on today, even though there are many more outlets for marketing and selling music than traditional broadcast radio stations and traditional music stores that sold discs and tapes.

There are only two other economic categories of music besides pop music: folk music , which is music that amateurs make for their own enjoyment and which they don't expect to make much money from, and classical music , which is intellectually sophisticated music that is expensive to create and perform but is paid for by patronage , which is to say the direct infusion of money from wealthy noblemen, governments, churches, corporations and the like.

Classical music does not earn a profit overall. So where did the styles of pop music originate? The earliest pop music in each culture usually was adapted from existing folk music and in some sense, classical music.

It has also always been the case that folk musicians and classical musicians have gotten themselves involved in the commercial music industry, record labels, and broadcast radio, television, and motion pictures. To the extent that they do so, they tend to transform their music from folk or classical into pop, according to the pressures put upon them by the publishing companies and record companies and the music industry, in the hope of profits.

It's all about the money. The style of pop music changes over time, for example, Pop music of the 50s would be called rock'n'roll now. Wikipedia has this to say on what usually constitutes a pop song at the current time:.

Such include generally short-to-medium length songs, written in a basic format often the verse-chorus structure , as well as the common employment of repeated choruses, melodic tunes, and catchy hooks. So the definition isn't necessarily about the music itself, but seems to be more about how the elements of the song are arranged.

The kind of music that is popular varies over time with trends and fashion, and is an earlier version of what we now term "viral" : things gaining ground because they have gained ground. It's a bit like the stock market : why does a share price go up? Because maybe some event triggered a blip. Perhaps a minor one. Then people realise it's "on the up" so they buy into it which raises the price.

Soon the price is appreciably higher, and for no real reason other than it was percieved as being 'on the up'. It's a similar thing with popular music- that which can be marketed to people who want it, is, because it makes money. People buy it or just hear it passively , it becomes more commonplace and familiar, and at some point that momentum builds into something that's noticable nationally.

One difference is that the pop music industry is manipulated: promoters arrange to have their act appear in predigeous places such as Radio 1 or some top TV program, which gives that "viral" thing a kick-start. Saying that, you could argue that a phenomenon occurrs such as Little Richard , Elvis or John Lydon, Kurt Cobain, starting a new style, and other people 'jump on the bandwagon' and ride it with their own version of a similar thing - but the original notion of what was happening is something born out of culture and genuine talent, and a willingness to try something new.

So happily it's not all about money. A paletable length minutes usually such that it cam come and go over radio or among other songs without taking up too much time. Sometimes irritating songs become an aquired taste, and gain immense popularity "there's no limits". Normally assiciated with something visual or a trend - more so recently "image is everything" - S Cowell but also true from the 50's through punk, new wave, grungs etc. Pop is ofted driven by the teenage population so someting which appeals to them and can be considered "cool" among peers is likely to work.

I taught a popular musicology class for the last couple of quarters at UCSB last year. It's definitely a gray area, defined more by social convention than by anything musical. We had what I thought was a solid working definition though. I found that definition rather elegant, although you can certainly poke holes in it like anything else. Among all the popular genres of music, Pop Music has emerged as the most popular one since it was first introduced. It was named so because it became so popular right after its introduction.

The two most common and famous reasons for the popularity of this genre are discussed in this piece of writing. Pop, as a separate genre, consists of simple patterns and rhythms. It is a proven fact that the human brain likes patterns, and the patterns that are easy to remember are more likeable than the difficult ones. Patterns make the music more attractive and engaging, and easy and simple patterns are easy to pick, which is why our brain likes them more. Additionally, patterns add to the rhythm of the song and its music, and rhythms are what take us along.

Rhythms make us sing along and dance with the lyrics and beats of the music. Also, Pop Music usually repeats its patterns, rhythms, and lyrics as well because most of the songs revolve around the same themes and topics.